Entries are compiled from published biographical sources which are believed to be reliable, but have not been verified for this edition by the listee or their agents.
Additionally, the editors of CTFT maintain regular contact with industry advisors and professionals who routinely suggest new candidates for inclusion in the series.
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CTFT also includes entries on personalities who have died but whose work commands lasting interest.Ĭompilation Methods CTFT editors identify candidates for inclusion in the series by consulting biographical dictionaries, industry directories, entertainment annuals, trade and general interest periodicals, newspapers, and online databases. New entries are prepared on major stars as well as those who are just beginning to win acclaim for their work. CTFT gives primary emphasis to people who are currently active. With 191 entries in CTFT 104, the series now provides biographies on approximately 27,452 people involved in all aspects of theatre, film, and television. Scope CTFT covers not only performers, directors, writers, and producers, but also behind-the-scenes specialists such as designers, managers, choreographers, technicians, composers, executives, dancers, and critics from the United States, Canada, Great Britain, and the world. Before the publication of CTFT, information-seekers had no choice but to consult several different sources in order to locate the in-depth biographical and credit data that makes CTFT’s one-stop coverage the most comprehensive available about the lives and work of performing arts professionals. Unlike single-volume reference works that focus on a limited number of artists or on a specific segment of the entertainment field, CTFT is an ongoing publication that includes entries on individuals active in the theatre, film, and television industries.
Preface Provides Broad, Single-Source Coverage in the Entertainment Field Contemporary Theatre, Film and Television (CTFT) is a biographical reference series designed to provide students, educators, researchers, librarians, and general readers with information on a wide range of entertainment figures. 351 (Including references to Who’s Who in the Theatre and Who Was Who in the Theatre) For permission to use material from this text or product, submit all requests online at Further permissions questions can be emailed to The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information.įor product information and technology assistance, contact us at Gale Customer Support, 1-80. This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including but not limited to photocopying, recording, scanning, digitizing, taping, Web distribution, information networks, or information storage and retrieval systems, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the publisher. © 2011 Gale, Cengage Learning ALL RIGHTS RESERVED. 104 Editor: Thomas Riggs CTFT Staff: Mariko Fujinaka, Annette Petrusso, Susan Risland, Jacob Schmitt, Lisa Sherwin, Arlene True, Andrea Votava, Pam Zuber Project Editors: Laura Avery, Tracie Ratiner Editorial Support Services: Natasha Mikheyeva Composition and Electronic Capture: Gary Oudersluys Manufacturing: Drew Kalasky A Biographical Guide Featuring Performers, Directors, Writers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, Dancers, and Critics in the United States, Canada, Great Britain and the World Thomas Riggs, EditorĬontemporary Theatre, Film & Television, Vol.
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